Heritage - Traditional period colours in a modern paint.
   
Introduction
Georgian
Victorian
Edwardian and Art Deco
Classic Whites
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Copyright


 
     
Edwardian and Art Deco Era Colour Range Creating the Look

Warm Pearl
WARM PEARL
Powder Colour
POWDER COLOUR
Edwardian Lemon
EDWARDIAN LEMON
Foyer Green
FOYER GREEN
Crystal Grey
CRYSTAL GREY
Quartz Pink
QUARTZ PINK
Pale Amber
PALE AMBER
Golden Ivory
GOLDEN IVORY
Montpelier Green
MONTPELIER GREEN
Blue Ribbon
BLUE RIBBON
Savoy Pink
SAVOY PINK
Salmon Cream
SALMON CREAM
Pale Cream
PALE CREAM
Waiting Room Green
WAITING ROOM GREEN
Light Teal
LIGHT TEAL
Ritz Rose
RITZ ROSE
Chinese Orange
CHINESE ORANGE
Deep Cream
DEEP CREAM
Eau De Nil
EAU DE NIL
Boathouse Blue
BOATHOUSE BLUE
Fitzrovia Red
FITZROVIA RED
Red Sand
RED SAND
Light Buff
LIGHT BUFF
Dark Blue
DARK BLUE
Azure
AZURE
Maroon
MAROON
Dark Brown
DARK BROWN
DH Slate
DH SLATE
Peacock Blue
PEACOCK BLUE
DH Oxford Blue
DH OXFORD BLUE

This era was the beginning of the modern paint industry and important developments were made in the area of colour technology. A wide range of deep blues, teals and turquoises such as Dark Blue, Montpelier Green and Light Teal were suddenly available to the general public. Many of these blues were developed by ICI in the 1930s and were used for the printing trade and for dyeing cloth, as well as for interior and artists' paint colours.

The smart and sophisticated hotels of the time tended to use a combination of soft pastels and tinted neutrals for areas such as foyers, bedrooms and corridors, with stronger shades reserved for ballrooms. Much favoured were colours like Quartz Pink, Salmon Cream, Crystal Grey and Foyer Green. They were understated and elegant and combined well with the wide range of decorative metalwork found on staircases, lifts, furniture and lamps.

Colour representation on-screen should not necessarily be taken as completely accurate.